Vogue Italia March 1999
Couture / Steven Meisel / Malgosia Bela & Emily Sandberg
Showing posts with label Avant-garde. Show all posts
Showing posts with label Avant-garde. Show all posts
127.
Viktor Smedinge / Central Saint Martins MA 2011 / AnOther
Where did the idea for the circular detailing come from?
The circular detailing came from the idea of creating volume in a light way avoiding heavy fusing and bonded fabrics. I found this lapped horsehair canvas that I loved the structure and feel of and started draping it on the stand. I found that the fabric naturally stayed in the shapes of the rolls without any reinforcement and everything built from there.
Did you feel constrained working with two colours?
No. I love colour but early on I felt like I wanted my collection to have a quite rough feel. That was also what first attracted me to the main fabric, so I decided to keep it in its natural beige and not dye it. The black came along as a contrast to the canvas to further highlight the shapes and create a depth to the looks.
Does your previous work have a structural quality?
Some of it has, but not always. What I'm most interested in is the cut of a garment and the silhouette you can create with or without structural shapes.
The dresses contained shortened arcs in the front, what made you chose to put them here as opposed to the back?
Since some of the sleeves and coats are quite big and structured I balanced that with the revealing arc shaped slit at the front of the dresses; I wanted to show some skin without being too revealing.
122.
Hussein Chalayan / A Millenial Maverick
Turkish-Cypriot designer Hüseyin Caglayan (better known to fashion fans as Hussein Chalayan) was born in Nicosia in 1970. After graduating from the Türk Maarif College in his homeland, Chalayan went on to study at London's prestigious Saint Martin's School of Art. Regarded as something of a mad professor, Chalayan was frequently seen around the college with a plastic bag full of books on philosophy, architecture and physics. His studies and interests were so diverse and removed from those of typical fashion students that one professor actually told him to switch to sculpture.
A clever designer who shuns the type of attitude that is a virtual prerequisites to enter the fashion haute monde, Hussein Chalayan is a visionary who simultaneously charts new fashion territory and turns out pieces with staying power. In an industry obsessed with change, this is no small achievement.
Says bad boy designer Alexander McQueen, "I admire his aesthetically challenging mind." And despite maintaining a certain distance from pop-culture and fashion trends, Chalayan has displayed an uncanny ability to present spot-on collections season after season. For his own line, Chayalan pleases crowds with what can only be described as future minimalism. His collections have become as much art installation and theater as fashion, and his understanding of the intricacies of architecture lends itself to well-articulated but minimal silhouettes. He has made waves with an 'inspired' look at the traditional Muslim garb (naked models paraded down the catwalk with their heads draped in traditional scarves); other creations include long knitted dresses with built-in walking sticks, starkly pleated ‘concertina’ dresses and course, the infamous cone-and-perspex-cube headdresses.
If Chalayan's work is highly individual, it’s because the designer avoids borrowing from fashion history: "I was never a fashion magazine nerd", he told Elle in a recent interview. Chalayan has produced three ultra-feminine (and remarkably wearable) collections for the New York-based cashmere company TSE.
"What Hussein has done," says Rebecca Shafer, creative director of TSE, "is to make a commercial collection with a pure design focus. He pays attention to detail, but the finished look is very simple. It's a very intellectual approach." Chalayan also creates a young, fast and disposable capsule collection for Top Shop in London, a store popular with teenagers. At present, he is designing an installation for the 'Mind' section of London's controversial Millennium Dome. And Colette - the Parisian mecca for all that is trendy -doesn't just sell his clothes, it exhibits them!
1993, Chalayan's graduation collection featured clothes that had been buried, exhumed and covered in lead shavings to see how they would react to a magnetized catwalk. But the mantle of eccentricity was dispelled when Joan Burstein, owner of Browns, the cutting edge clothes boutique in London, chose to display Chalayan’s entire collection in her shop window. "It was his complete dedication that attracted me to his work," she said, "He had that blind self-belief that's inherent in all great designers." Not surprisingly, a star was born.
Chalayan's career was off and running: in 1995 he topped 100 rivals to clinch a contest organized by Absolut Vodka, which gave him financial backing to develop creations for London Fashion Week. Now Chalayan has 10 collections to his credit. Innovations from unrippable paper clothes, super-sharp suits with illuminated flight path patterns and pixilated print dresses serve to highlight technology-inspired fashion as a vital element for contemporary dressing.
Last year, at 28, Chalayan was honored with the prestigious Designer of the Year award at this year’s annual British Fashion Awards. From his cramped studio near Covent Garden, Chalayan has developed a reputation for being a serious man of ideas who avoids fashion’s social circuit like the plague, preferring a spot of Heidegger to the 'it' clubs. Such modesty and talent has earned the admiration of many fashion VIPs. "I like his attitude and way of thinking," comments the ultra-elusive Rei Kawakubo of Comme des Garçons.
Source
Turkish-Cypriot designer Hüseyin Caglayan (better known to fashion fans as Hussein Chalayan) was born in Nicosia in 1970. After graduating from the Türk Maarif College in his homeland, Chalayan went on to study at London's prestigious Saint Martin's School of Art. Regarded as something of a mad professor, Chalayan was frequently seen around the college with a plastic bag full of books on philosophy, architecture and physics. His studies and interests were so diverse and removed from those of typical fashion students that one professor actually told him to switch to sculpture.
A clever designer who shuns the type of attitude that is a virtual prerequisites to enter the fashion haute monde, Hussein Chalayan is a visionary who simultaneously charts new fashion territory and turns out pieces with staying power. In an industry obsessed with change, this is no small achievement.
Says bad boy designer Alexander McQueen, "I admire his aesthetically challenging mind." And despite maintaining a certain distance from pop-culture and fashion trends, Chalayan has displayed an uncanny ability to present spot-on collections season after season. For his own line, Chayalan pleases crowds with what can only be described as future minimalism. His collections have become as much art installation and theater as fashion, and his understanding of the intricacies of architecture lends itself to well-articulated but minimal silhouettes. He has made waves with an 'inspired' look at the traditional Muslim garb (naked models paraded down the catwalk with their heads draped in traditional scarves); other creations include long knitted dresses with built-in walking sticks, starkly pleated ‘concertina’ dresses and course, the infamous cone-and-perspex-cube headdresses.
If Chalayan's work is highly individual, it’s because the designer avoids borrowing from fashion history: "I was never a fashion magazine nerd", he told Elle in a recent interview. Chalayan has produced three ultra-feminine (and remarkably wearable) collections for the New York-based cashmere company TSE.
"What Hussein has done," says Rebecca Shafer, creative director of TSE, "is to make a commercial collection with a pure design focus. He pays attention to detail, but the finished look is very simple. It's a very intellectual approach." Chalayan also creates a young, fast and disposable capsule collection for Top Shop in London, a store popular with teenagers. At present, he is designing an installation for the 'Mind' section of London's controversial Millennium Dome. And Colette - the Parisian mecca for all that is trendy -doesn't just sell his clothes, it exhibits them!
1993, Chalayan's graduation collection featured clothes that had been buried, exhumed and covered in lead shavings to see how they would react to a magnetized catwalk. But the mantle of eccentricity was dispelled when Joan Burstein, owner of Browns, the cutting edge clothes boutique in London, chose to display Chalayan’s entire collection in her shop window. "It was his complete dedication that attracted me to his work," she said, "He had that blind self-belief that's inherent in all great designers." Not surprisingly, a star was born.
Chalayan's career was off and running: in 1995 he topped 100 rivals to clinch a contest organized by Absolut Vodka, which gave him financial backing to develop creations for London Fashion Week. Now Chalayan has 10 collections to his credit. Innovations from unrippable paper clothes, super-sharp suits with illuminated flight path patterns and pixilated print dresses serve to highlight technology-inspired fashion as a vital element for contemporary dressing.
Last year, at 28, Chalayan was honored with the prestigious Designer of the Year award at this year’s annual British Fashion Awards. From his cramped studio near Covent Garden, Chalayan has developed a reputation for being a serious man of ideas who avoids fashion’s social circuit like the plague, preferring a spot of Heidegger to the 'it' clubs. Such modesty and talent has earned the admiration of many fashion VIPs. "I like his attitude and way of thinking," comments the ultra-elusive Rei Kawakubo of Comme des Garçons.
Source
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